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How Sacred Harp music is sung
The performance of Sacred Harp music involves customary styles that are not expressed in the musical notation itself.
Note that the term "performance practice" is used in a broad way: Sacred Harp singing is participatory, not audience-oriented, and thus is not really "performed" in a traditional sense.
==Transmission of Sacred Harp==
The reason why Sacred Harp includes practices not notated in the music (that is, in the various published editions of ''The Sacred Harp'') is that the printed music is not the only way that the music is transmitted among singers and across time—there is an oral channel as well. Many Sacred Harp participants can be described as "traditional" singers. They learned Sacred Harp by being taken to singings as children, and usually are the children of traditional singers of the previous generation. The parents, in turn, also learned the tradition as children.〔For instance, singing master Richard DeLong has ( said ) "I was born into it. Grandmother carried me to my first singing."〕 Thus there is often a chain of direct transmission dating back to (or even before) the original appearance (1844) of ''The Sacred Harp''. This chain has evidently developed and transmitted a number of singing practices distinct from what is printed in the book. As Sacred Harp scholar (Warren Steel ) states, "traditional singers use the printed book in learning songs, and refer to it while singing, but the notes in the book are not interpreted literally, but according to a performance practice and style that is learned through oral tradition and varies among different regions and families."
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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